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		<title>Creative  Commons  Tutorial Handout</title>
		<link>http://valerievega.wordpress.com/2007/11/14/creative-commons-tutorial-handout/</link>
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		<pubDate>Wed, 14 Nov 2007 23:30:23 +0000</pubDate>
		<dc:creator>valerievega</dc:creator>
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		<description><![CDATA[Here  is the url for the &#8220;How To Publish&#8221; Creative Commons Tutorial. http://wiki.creativecommons.org/HOWTO_Publish#Adding_a_license_to_your_existing_website_2<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=valerievega.wordpress.com&amp;blog=2029148&amp;post=9&amp;subd=valerievega&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>Here  is the url for the &#8220;How To Publish&#8221; Creative Commons Tutorial.</p>
<p>http://wiki.creativecommons.org/HOWTO_Publish#Adding_a_license_to_your_existing_website_2</p>
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		<title>What&#8217;s New in New Media Times</title>
		<link>http://valerievega.wordpress.com/2007/11/10/whats-new-in-new-media-times/</link>
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		<pubDate>Sat, 10 Nov 2007 08:01:15 +0000</pubDate>
		<dc:creator>valerievega</dc:creator>
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		<description><![CDATA[Lister New Media: A critical introduction (p.72-92) Outline -         McLuhan vs. Williams -         McLuhan 3 key ideas o        remediation- the content of any medium is always another medium o       media and technology are extensions of the human body and its senses o       the medium is the message -         Four media cultures o       A primitive culture [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=valerievega.wordpress.com&amp;blog=2029148&amp;post=8&amp;subd=valerievega&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p class="MsoNormal"><strong><span style="font-size:14pt;">Lister</span></strong></p>
<p class="MsoNormal"><strong>New Media: A critical introduction (p.72-92)</strong></p>
<p class="MsoNormal"><strong><em>Outline</em></strong><strong><span style="font-weight:normal;"></span></strong></p>
<p class="MsoNormal" style="margin-left:0.5in;text-indent:-0.25in;"><!--[if !supportLists]--><strong><span style="font-weight:normal;"><span>-<span style="font-family:'Times New Roman';font-style:normal;font-variant:normal;font-weight:normal;font-size:7pt;line-height:normal;">         </span></span></span></strong><!--[endif]--><strong><span style="font-weight:normal;">McLuhan vs. Williams</span></strong></p>
<p class="MsoNormal" style="margin-left:0.5in;text-indent:-0.25in;"><!--[if !supportLists]--><strong><span style="font-weight:normal;"><span>-<span style="font-family:'Times New Roman';font-style:normal;font-variant:normal;font-weight:normal;font-size:7pt;line-height:normal;">         </span></span></span></strong><!--[endif]--><strong><span style="font-weight:normal;">McLuhan 3 key ideas</span></strong></p>
<p class="MsoNormal" style="margin-left:1in;text-indent:-0.25in;"><!--[if !supportLists]--><strong><span style="font-family:'Courier New';font-weight:normal;"><span>o<span style="font-family:'Times New Roman';font-style:normal;font-variant:normal;font-weight:normal;font-size:7pt;line-height:normal;">       </span></span></span></strong><!--[endif]--><strong><span style="font-weight:normal;"><span> </span>remediation- the content of any medium is always another medium</span></strong></p>
<p class="MsoNormal" style="margin-left:1in;text-indent:-0.25in;"><!--[if !supportLists]--><strong><span style="font-family:'Courier New';font-weight:normal;"><span>o<span style="font-family:'Times New Roman';font-style:normal;font-variant:normal;font-weight:normal;font-size:7pt;line-height:normal;">       </span></span></span></strong><!--[endif]--><strong><span style="font-weight:normal;">media and technology are extensions of the human body and its senses </span></strong></p>
<p class="MsoNormal" style="margin-left:1in;text-indent:-0.25in;"><!--[if !supportLists]--><strong><span style="font-family:'Courier New';font-weight:normal;"><span>o<span style="font-family:'Times New Roman';font-style:normal;font-variant:normal;font-weight:normal;font-size:7pt;line-height:normal;">       </span></span></span></strong><!--[endif]--><strong>the medium is the message</strong></p>
<p class="MsoNormal" style="margin-left:0.5in;text-indent:-0.25in;"><!--[if !supportLists]--><strong><span style="font-weight:normal;"><span>-<span style="font-family:'Times New Roman';font-style:normal;font-variant:normal;font-weight:normal;font-size:7pt;line-height:normal;">         </span></span></span></strong><!--[endif]--><strong><span style="font-weight:normal;">Four media cultures</span></strong></p>
<p class="MsoNormal" style="margin-left:1in;text-indent:-0.25in;"><!--[if !supportLists]--><strong><span style="font-family:'Courier New';font-weight:normal;"><span>o<span style="font-family:'Times New Roman';font-style:normal;font-variant:normal;font-weight:normal;font-size:7pt;line-height:normal;">       </span></span></span></strong><!--[endif]--><strong><span style="font-weight:normal;">A primitive culture of </span>oral</strong><strong><span style="font-weight:normal;"> communication</span></strong></p>
<p class="MsoNormal" style="margin-left:1in;text-indent:-0.25in;"><!--[if !supportLists]--><strong><span style="font-family:'Courier New';font-weight:normal;"><span>o<span style="font-family:'Times New Roman';font-style:normal;font-variant:normal;font-weight:normal;font-size:7pt;line-height:normal;">       </span></span></span></strong><!--[endif]--><strong><span style="font-weight:normal;">A </span>literate</strong><strong><span style="font-weight:normal;"> culture using the phonetic alphabet and handwritten script which co-existed with the oral</span></strong></p>
<p class="MsoNormal" style="margin-left:1in;text-indent:-0.25in;"><!--[if !supportLists]--><strong><span style="font-family:'Courier New';font-weight:normal;"><span>o<span style="font-family:'Times New Roman';font-style:normal;font-variant:normal;font-weight:normal;font-size:7pt;line-height:normal;">       </span></span></span></strong><!--[endif]--><strong><span style="font-weight:normal;">The age of mass-produced, mechanical </span>printing</strong><strong><span style="font-weight:normal;"></span></strong></p>
<p class="MsoNormal" style="margin-left:1in;text-indent:-0.25in;"><!--[if !supportLists]--><strong><span style="font-family:'Courier New';font-weight:normal;"><span>o<span style="font-family:'Times New Roman';font-style:normal;font-variant:normal;font-weight:normal;font-size:7pt;line-height:normal;">       </span></span></span></strong><!--[endif]--><strong><span style="font-weight:normal;">The culture of </span>electric</strong><strong><span style="font-weight:normal;"> media: radio, television, and computers</span></strong></p>
<p class="MsoNormal" style="margin-left:0.5in;text-indent:-0.25in;"><!--[if !supportLists]--><strong><span style="font-weight:normal;"><span>-<span style="font-family:'Times New Roman';font-style:normal;font-variant:normal;font-weight:normal;font-size:7pt;line-height:normal;">         </span></span></span></strong><!--[endif]--><strong><span style="font-weight:normal;">The physicality of a tool/technology </span></strong><strong><span style="font-family:Wingdings;font-weight:normal;"><span>à</span></span></strong><strong><span style="font-weight:normal;"> an extension of the body</span></strong></p>
<p class="MsoNormal" style="margin-left:0.5in;text-indent:-0.25in;"><!--[if !supportLists]--><strong><span style="font-weight:normal;"><span>-<span style="font-family:'Times New Roman';font-style:normal;font-variant:normal;font-weight:normal;font-size:7pt;line-height:normal;">         </span></span></span></strong><!--[endif]--><strong><span style="font-weight:normal;">“the power of media technologies to structure social arrangements and relationships, and the mediating aesthetic properties of a media technology. They mediate our relations to one another and to the world”(79)</span></strong></p>
<p class="MsoNormal" style="margin-left:0.5in;text-indent:-0.25in;"><!--[if !supportLists]--><strong><span style="font-weight:normal;"><span>-<span style="font-family:'Times New Roman';font-style:normal;font-variant:normal;font-weight:normal;font-size:7pt;line-height:normal;">         </span></span></span></strong><!--[endif]--><strong><span style="font-weight:normal;">Williams acknowledges what McLuhan dismisses: “New technologies take forward existing practices that particular social groups already see as important or necessary” (81)</span></strong><strong><span style="font-family:Wingdings;font-weight:normal;"><span>à</span></span></strong><strong><span style="font-weight:normal;"> Sociological argument </span></strong></p>
<p class="MsoNormal" style="margin-left:0.5in;text-indent:-0.25in;"><!--[if !supportLists]--><strong><span style="font-weight:normal;"><span>-<span style="font-family:'Times New Roman';font-style:normal;font-variant:normal;font-weight:normal;font-size:7pt;line-height:normal;">         </span></span></span></strong><!--[endif]--><strong><span style="font-weight:normal;">Williams examined</span></strong></p>
<p class="MsoNormal" style="margin-left:1in;text-indent:-0.25in;"><!--[if !supportLists]--><strong><span style="font-family:'Courier New';font-weight:normal;"><span>o<span style="font-family:'Times New Roman';font-style:normal;font-variant:normal;font-weight:normal;font-size:7pt;line-height:normal;">       </span></span></span></strong><!--[endif]--><strong><span style="font-weight:normal;">The reasons for which technologies are developed</span></strong></p>
<p class="MsoNormal" style="margin-left:1in;text-indent:-0.25in;"><!--[if !supportLists]--><strong><span style="font-family:'Courier New';font-weight:normal;"><span>o<span style="font-family:'Times New Roman';font-style:normal;font-variant:normal;font-weight:normal;font-size:7pt;line-height:normal;">       </span></span></span></strong><!--[endif]--><strong><span style="font-weight:normal;">The complex social, cultural, and economic factor which shape them</span></strong></p>
<p class="MsoNormal" style="margin-left:1in;text-indent:-0.25in;"><!--[if !supportLists]--><strong><span style="font-family:'Courier New';font-weight:normal;"><span>o<span style="font-family:'Times New Roman';font-style:normal;font-variant:normal;font-weight:normal;font-size:7pt;line-height:normal;">       </span></span></span></strong><!--[endif]--><strong><span style="font-weight:normal;">The ways that technologies are mobilized for certain ends</span></strong></p>
<p class="MsoNormal" style="margin-left:0.5in;text-indent:-0.25in;"><!--[if !supportLists]--><strong><span style="font-weight:normal;"><span>-<span style="font-family:'Times New Roman';font-style:normal;font-variant:normal;font-weight:normal;font-size:7pt;line-height:normal;">         </span></span></span></strong><!--[endif]--><strong><span style="font-weight:normal;">what a culture is like does not directly follow from the nature of its media</span></strong></p>
<p class="MsoNormal" style="margin-left:0.5in;text-indent:-0.25in;"><!--[if !supportLists]--><strong><span style="font-weight:normal;"><span>-<span style="font-family:'Times New Roman';font-style:normal;font-variant:normal;font-weight:normal;font-size:7pt;line-height:normal;">         </span></span></span></strong><!--[endif]--><strong><span style="font-weight:normal;">“Williams is also wary about the theoretical implications that the term ‘medium’ has come to carry”(83)</span></strong></p>
<p class="MsoNormal"><strong><span style="font-weight:normal;"> </span></strong></p>
<p class="MsoNormal"><strong><span style="font-size:14pt;">Goodman</span></strong></p>
<p class="MsoNormal"><strong>Teaching Youth Media</strong></p>
<p class="MsoNormal"><strong><em>Outline</em></strong><strong><span style="font-weight:normal;"></span></strong></p>
<p class="MsoNormal" style="margin-left:0.5in;text-indent:-0.25in;"><!--[if !supportLists]--><strong><span style="font-weight:normal;"><span>-<span style="font-family:'Times New Roman';font-style:normal;font-variant:normal;font-weight:normal;font-size:7pt;line-height:normal;">         </span></span></span></strong><!--[endif]--><strong><span style="font-weight:normal;">Media saturation in the life of children: “children ages eight and older spend the equivalent of a full work week… in front of a screen of some kind of electronic media </span></strong><strong><span style="font-family:Wingdings;font-weight:normal;"><span>à</span></span></strong><strong><span style="font-weight:normal;">these images contribute to young people’s evolving sense of identity, community and worldview”(2)</span></strong></p>
<p class="MsoNormal" style="margin-left:0.5in;text-indent:-0.25in;"><!--[if !supportLists]--><strong><span style="font-weight:normal;"><span>-<span style="font-family:'Times New Roman';font-style:normal;font-variant:normal;font-weight:normal;font-size:7pt;line-height:normal;">         </span></span></span></strong><!--[endif]--><strong><span style="font-weight:normal;">“The failure of schools and after-school programs to address the media as the predominant language of youth today, or to recognize the social and cultural contexts in which students live, has resulted in a profound disconnect</span></strong><strong><span style="font-family:Wingdings;font-weight:normal;"><span>à</span></span></strong><strong><span style="font-weight:normal;"> until corrected this disconnect willlead to the increased alientation of low-income urban youth from the dominant social, political, and economic mainstream</span></strong></p>
<p class="MsoNormal" style="margin-left:0.5in;text-indent:-0.25in;"><!--[if !supportLists]--><strong><span style="font-weight:normal;"><span>-<span style="font-family:'Times New Roman';font-style:normal;font-variant:normal;font-weight:normal;font-size:7pt;line-height:normal;">         </span></span></span></strong><!--[endif]--><strong><span style="font-weight:normal;">“Huge amounts of money and effort are invested in making kids literate in the language of consumerism and so apprenticing them for a lifetime of consumption”(6) </span></strong></p>
<p class="MsoNormal" style="margin-left:0.5in;text-indent:-0.25in;"><!--[if !supportLists]--><strong><span style="font-weight:normal;"><span>-<span style="font-family:'Times New Roman';font-style:normal;font-variant:normal;font-weight:normal;font-size:7pt;line-height:normal;">         </span></span></span></strong><!--[endif]--><strong><span style="font-weight:normal;">Students must develop </span>critical literacy</strong><strong><span style="font-weight:normal;"> in order to be able to read and analyze the huge array of media that they are bombarded with on a daily basis </span></strong><strong><span style="font-family:Wingdings;font-weight:normal;"><span>à</span></span></strong><strong><span style="font-weight:normal;"> students learn this best by producing their own media</span></strong></p>
<p class="MsoNormal" style="margin-left:0.5in;text-indent:-0.25in;"><!--[if !supportLists]--><strong><span style="font-weight:normal;"><span>-<span style="font-family:'Times New Roman';font-style:normal;font-variant:normal;font-weight:normal;font-size:7pt;line-height:normal;">         </span></span></span></strong><!--[endif]--><strong><span style="font-weight:normal;">The dominant form of language has become the image</span></strong></p>
<p class="MsoNormal" style="margin-left:0.5in;text-indent:-0.25in;"><!--[if !supportLists]--><strong><span style="font-weight:normal;"><span>-<span style="font-family:'Times New Roman';font-style:normal;font-variant:normal;font-weight:normal;font-size:7pt;line-height:normal;">         </span></span></span></strong><!--[endif]--><strong><span style="font-weight:normal;">The factory system of schooling: the Lancaster/Dewey debate</span></strong></p>
<p class="MsoNormal" style="margin-left:1in;text-indent:-0.25in;"><!--[if !supportLists]--><strong><span style="font-family:'Courier New';font-weight:normal;"><span>o<span style="font-family:'Times New Roman';font-style:normal;font-variant:normal;font-weight:normal;font-size:7pt;line-height:normal;">       </span></span></span></strong><!--[endif]--><strong><span style="font-weight:normal;">School should be just as much as a social experience as it was intellectual, a community building force..cultivating independent-minded , critical thinking citizens capable of solving social problems.</span></strong></p>
<p class="MsoNormal" style="margin-left:0.5in;text-indent:-0.25in;"><!--[if !supportLists]--><strong><span style="font-weight:normal;"><span>-<span style="font-family:'Times New Roman';font-style:normal;font-variant:normal;font-weight:normal;font-size:7pt;line-height:normal;">         </span></span></span></strong><!--[endif]--><strong><span style="font-weight:normal;">Beyond the factory system:</span></strong></p>
<p class="MsoNormal" style="margin-left:1in;text-indent:-0.25in;"><!--[if !supportLists]--><strong><span style="font-family:'Courier New';font-weight:normal;"><span>o<span style="font-family:'Times New Roman';font-style:normal;font-variant:normal;font-weight:normal;font-size:7pt;line-height:normal;">       </span></span></span></strong><!--[endif]--><strong><span style="font-weight:normal;">Technology Integration- technology as a highly efficient instrument to aid teachers in delivering information to students</span></strong><strong><span style="font-family:Wingdings;font-weight:normal;"><span>à</span></span></strong><strong><span style="font-weight:normal;"> inequities along socioeconomic and racial lines resulted in a digital divide, unequal access</span></strong></p>
<p class="MsoNormal" style="margin-left:1in;text-indent:-0.25in;"><!--[if !supportLists]--><strong><span style="font-family:'Courier New';font-weight:normal;"><span>o<span style="font-family:'Times New Roman';font-style:normal;font-variant:normal;font-weight:normal;font-size:7pt;line-height:normal;">       </span></span></span></strong><!--[endif]--><strong><span style="font-weight:normal;">Media Literacy: curricula that stressed skills for analyzing tv and mass media text</span></strong><strong><span style="font-family:Wingdings;font-weight:normal;"><span>à</span></span></strong><strong><span style="font-weight:normal;"> media literacy had little impact on most of the new models of education that national school reform networks were designing (15)</span></strong></p>
<p class="MsoNormal" style="margin-left:1in;text-indent:-0.25in;"><!--[if !supportLists]--><strong><span style="font-family:'Courier New';font-weight:normal;"><span>o<span style="font-family:'Times New Roman';font-style:normal;font-variant:normal;font-weight:normal;font-size:7pt;line-height:normal;">       </span></span></span></strong><!--[endif]--><strong><span style="font-weight:normal;">Community Media Arts: Despite all the growth and creative energy being generated through arts and community-based initiatives (many government funded, beginning in the 60’s-80’s) schools remained virtually impervious to change. (18)</span></strong></p>
<p class="MsoNormal"><strong><em> </em></strong></p>
<p class="MsoNormal"><strong><em>Questions &amp; Comments</em></strong><strong><span style="font-weight:normal;"></span></strong></p>
<p class="MsoNormal"><strong><span style="font-weight:normal;">- I am currently enrolled in another CSRE course “Embracing Diversity” and I had the opportunity to read a couple of amazing articles by Linda Darling-Hammond who is a leading expert in the current state (and history) of our public school education system.<span>  </span>Unfortunately her research also shows that there continues to be huge issues of unequal access and funding that are directly connected to the racial demographic and socioeconomic status and of any give community across the nation. But what bothers me the most when I read article such as Goodman and Darling-Hammond is seeing the huge amount of money being spent in other areas of our society such as the war, the judicial system, and in this case “$2 billion spent annually on advertising directed at children”(6).<span>  </span>If that money could be invested in the children and schools that need it so desperately the outlook for our nation could completely change. Instead of just moving through school on the conveyer belt of the public education system these students could actually have an equal opportunity of learning the critical literacy skills necessary to succeed, maneuver, and truly understanding all the images that are thrown at them virtually every minute of every day, resulting in independent thinking individuals, and not consuming zombies. <span> </span><span> </span><span> </span><span> </span><span> </span></span></strong></p>
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		<title>Participatory Cultures</title>
		<link>http://valerievega.wordpress.com/2007/11/10/participatory-cultures/</link>
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		<pubDate>Sat, 10 Nov 2007 04:43:05 +0000</pubDate>
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		<description><![CDATA[Jenkins Fans, Bloggers, and Gamers: Exploring Participatory Culture Outline -         “Fandom is one of those spaces where people are learning how to live and collaborate within a knowledge community”(134) -         “The new participatory culture is taking shape at the intersection between three trends: o       New tools and technologies enable consumers to archive annotate, appropriate, and [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=valerievega.wordpress.com&amp;blog=2029148&amp;post=7&amp;subd=valerievega&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p class="MsoNormal"><strong><span style="font-size:14pt;">Jenkins</span></strong></p>
<p class="MsoNormal"><strong>Fans, Bloggers, and Gamers: Exploring Participatory Culture</strong><strong><span style="font-weight:normal;"><br />
</span></strong></p>
<p class="MsoNormal"><strong><em>Outline</em></strong><strong><span style="font-weight:normal;"></span></strong></p>
<p class="MsoNormal" style="margin-left:0.5in;text-indent:-0.25in;"><!--[if !supportLists]--><strong><span style="font-weight:normal;"><span>-<span style="font-family:'Times New Roman';font-style:normal;font-variant:normal;font-weight:normal;font-size:7pt;line-height:normal;">         </span></span></span></strong><!--[endif]--><strong><span style="font-weight:normal;">“Fandom is one of those spaces where people are learning how to live and collaborate within a knowledge community”(134)</span></strong></p>
<p class="MsoNormal" style="margin-left:0.5in;text-indent:-0.25in;"><!--[if !supportLists]--><strong><span style="font-weight:normal;"><span>-<span style="font-family:'Times New Roman';font-style:normal;font-variant:normal;font-weight:normal;font-size:7pt;line-height:normal;">         </span></span></span></strong><!--[endif]--><strong><span style="font-weight:normal;">“The new participatory culture is taking shape at the intersection between three trends:</span></strong></p>
<p class="MsoNormal" style="margin-left:1in;text-indent:-0.25in;"><!--[if !supportLists]--><strong><span style="font-family:'Courier New';font-weight:normal;"><span>o<span style="font-family:'Times New Roman';font-style:normal;font-variant:normal;font-weight:normal;font-size:7pt;line-height:normal;">       </span></span></span></strong><!--[endif]--><strong><span style="font-weight:normal;">New tools and technologies enable consumers to archive annotate, appropriate, and recirculate media content</span></strong></p>
<p class="MsoNormal" style="margin-left:1in;text-indent:-0.25in;"><!--[if !supportLists]--><strong><span style="font-family:'Courier New';font-weight:normal;"><span>o<span style="font-family:'Times New Roman';font-style:normal;font-variant:normal;font-weight:normal;font-size:7pt;line-height:normal;">       </span></span></span></strong><!--[endif]--><strong><span style="font-weight:normal;">A range of subcultures promote DIY media production, a discourse that shapes how consumers have deployed those technologies</span></strong></p>
<p class="MsoNormal" style="margin-left:1in;text-indent:-0.25in;"><!--[if !supportLists]--><strong><span style="font-family:'Courier New';font-weight:normal;"><span>o<span style="font-family:'Times New Roman';font-style:normal;font-variant:normal;font-weight:normal;font-size:7pt;line-height:normal;">       </span></span></span></strong><!--[endif]--><strong><span style="font-weight:normal;">Economic trends favoring the horizontally integrated media conglomerates encourage the flow of images, ideas, and narratives across multiple media channels and demand more active modes of spectatorship.”(136)</span></strong></p>
<p class="MsoNormal" style="margin-left:0.5in;text-indent:-0.25in;"><!--[if !supportLists]--><strong><span style="font-weight:normal;"><span>-<span style="font-family:'Times New Roman';font-style:normal;font-variant:normal;font-weight:normal;font-size:7pt;line-height:normal;">         </span></span></span></strong><!--[endif]--><strong><span style="font-weight:normal;">“audiences are gaining greater power and autonomy as they enter into the new knowledge culture. The interactive audience is more than a marketing concept and less than a semiotic democracy.”(136)</span></strong></p>
<p class="MsoNormal" style="margin-left:0.5in;text-indent:-0.25in;"><!--[if !supportLists]--><strong><span style="font-weight:normal;"><span>-<span style="font-family:'Times New Roman';font-style:normal;font-variant:normal;font-weight:normal;font-size:7pt;line-height:normal;">         </span></span></span></strong><!--[endif]--><strong><span style="font-weight:normal;">Levy “links the emergence of the new knowledge space to the break-down of geographic constraints on communication, of the declining loyalty of individuals to organized groups, and of the diminished power of nation-states to command the exclusive loyalty of their citizens”(137)</span></strong></p>
<p class="MsoNormal" style="margin-left:0.5in;text-indent:-0.25in;"><!--[if !supportLists]--><strong><span style="font-weight:normal;"><span>-<span style="font-family:'Times New Roman';font-style:normal;font-variant:normal;font-weight:normal;font-size:7pt;line-height:normal;">         </span></span></span></strong><!--[endif]--><strong><span style="font-weight:normal;">Fan communities ex of: “Cosmopedia, expansive self-organizing groups focused around the collective production, debate,, and circulation of meanings, interpretations, and fantasies in response to various artifact of contemporary pop culture”(137) </span></strong></p>
<p class="MsoNormal" style="margin-left:0.5in;text-indent:-0.25in;"><!--[if !supportLists]--><span><span>-<span style="font-family:'Times New Roman';font-style:normal;font-variant:normal;font-weight:normal;font-size:7pt;line-height:normal;">         </span></span></span><!--[endif]--><strong><span style="font-weight:normal;">“Collective intelligence” vs. “Hive mind”</span></strong><span></span></p>
<p class="MsoNormal" style="margin-left:0.5in;text-indent:-0.25in;"><!--[if !supportLists]--><span><span>-<span style="font-family:'Times New Roman';font-style:normal;font-variant:normal;font-weight:normal;font-size:7pt;line-height:normal;">         </span></span></span><!--[endif]--><span>“The new information space involves multiple and unstable forms of recontextualization.”</span></p>
<p class="MsoNormal" style="margin-left:0.5in;text-indent:-0.25in;"><!--[if !supportLists]--><span><span>-<span style="font-family:'Times New Roman';font-style:normal;font-variant:normal;font-weight:normal;font-size:7pt;line-height:normal;">         </span></span></span><!--[endif]--><span>“As the community enlarges and reaction time shortens, fandom becomes much more effective as a platform for consumer activism.”(141) </span><span style="font-family:Wingdings;"><span>à</span></span><span> moving towards the cultural mainstream</span></p>
<p class="MsoNormal" style="margin-left:0.5in;text-indent:-0.25in;"><!--[if !supportLists]--><span><span>-<span style="font-family:'Times New Roman';font-style:normal;font-variant:normal;font-weight:normal;font-size:7pt;line-height:normal;">         </span></span></span><!--[endif]--><span><span> </span>“Horizontal integration of the entertainment industry- and the emergent knowledge of synergy- depends on the circulation of intellectual properties across media outlets”(147)</span></p>
<p class="MsoNormal" style="margin-left:0.5in;text-indent:-0.25in;"><!--[if !supportLists]--><span><span>-<span style="font-family:'Times New Roman';font-style:normal;font-variant:normal;font-weight:normal;font-size:7pt;line-height:normal;">         </span></span></span><!--[endif]--><span>“researchers are finding that fandom and other knowledge communities foster a sense of passionate affiliation or brand loyalty that insures the longevity of particular product lines”(149)</span></p>
<p class="MsoNormal" style="margin-left:0.5in;text-indent:-0.25in;"><!--[if !supportLists]--><span><span>-<span style="font-family:'Times New Roman';font-style:normal;font-variant:normal;font-weight:normal;font-size:7pt;line-height:normal;">         </span></span></span><!--[endif]--><span>Culture jammers want to opt out of media consumption and promote a purely negative and reactive conception of popular culture. Fans, on the other hand see unrealized potentials in popular culture and want to broaden audience participation.(150)</span></p>
<p class="MsoNormal" style="margin-left:0.5in;text-indent:-0.25in;"><!--[if !supportLists]--><span><span>-<span style="font-family:'Times New Roman';font-style:normal;font-variant:normal;font-weight:normal;font-size:7pt;line-height:normal;">         </span></span></span><!--[endif]--><span>We are in an “era marked by the expanding corporate reach of the commodity culture and the emerging importance of grassroots knowledge culture”(151)</span></p>
<p class="MsoNormal"><strong><span style="font-size:14pt;"> </span></strong></p>
<p class="MsoNormal"><strong><span style="font-size:14pt;">Jenkins</span></strong></p>
<p class="MsoNormal"><strong>Convergence Culture</strong></p>
<p class="MsoNormal"><strong><em>Outline</em></strong><strong><span style="font-weight:normal;"></span></strong></p>
<p class="MsoNormal" style="margin-left:0.5in;text-indent:-0.25in;"><!--[if !supportLists]--><strong><span style="font-weight:normal;"><span>-<span style="font-family:'Times New Roman';font-style:normal;font-variant:normal;font-weight:normal;font-size:7pt;line-height:normal;">         </span></span></span></strong><!--[endif]--><strong><span style="font-weight:normal;">Convergence = everything in one box, media consolidation-corporation, a top-down process shaped by corporate decisions and a bottom-up process shaped by consumer participation, the interplay between old and new media</span></strong></p>
<p class="MsoNormal" style="margin-left:0.5in;text-indent:-0.25in;"><!--[if !supportLists]--><strong><span style="font-weight:normal;"><span>-<span style="font-family:'Times New Roman';font-style:normal;font-variant:normal;font-weight:normal;font-size:7pt;line-height:normal;">         </span></span></span></strong><!--[endif]--><strong><span style="font-weight:normal;">collective intelligence is an achievable utopia</span></strong></p>
<p class="MsoNormal" style="margin-left:0.5in;text-indent:-0.25in;"><!--[if !supportLists]--><strong><span style="font-weight:normal;"><span>-<span style="font-family:'Times New Roman';font-style:normal;font-variant:normal;font-weight:normal;font-size:7pt;line-height:normal;">         </span></span></span></strong><!--[endif]--><strong><span style="font-weight:normal;">Multitasking, multitasking, and more multitasking!</span></strong></p>
<p class="MsoNormal" style="margin-left:0.5in;text-indent:-0.25in;"><!--[if !supportLists]--><strong><span style="font-weight:normal;"><span>-<span style="font-family:'Times New Roman';font-style:normal;font-variant:normal;font-weight:normal;font-size:7pt;line-height:normal;">         </span></span></span></strong><!--[endif]--><strong><span style="font-weight:normal;">Displacement of old media by new media tech.</span></strong></p>
<p class="MsoNormal" style="margin-left:0.5in;text-indent:-0.25in;"><!--[if !supportLists]--><strong><span style="font-weight:normal;"><span>-<span style="font-family:'Times New Roman';font-style:normal;font-variant:normal;font-weight:normal;font-size:7pt;line-height:normal;">         </span></span></span></strong><!--[endif]--><strong><span style="font-weight:normal;">Interactivity: product of technologies</span></strong></p>
<p class="MsoNormal" style="margin-left:0.5in;text-indent:-0.25in;"><!--[if !supportLists]--><strong><span style="font-weight:normal;"><span>-<span style="font-family:'Times New Roman';font-style:normal;font-variant:normal;font-weight:normal;font-size:7pt;line-height:normal;">         </span></span></span></strong><!--[endif]--><strong><span style="font-weight:normal;">Participation: product of cultures</span></strong></p>
<p class="MsoNormal" style="margin-left:0.5in;text-indent:-0.25in;"><!--[if !supportLists]--><strong><span style="font-weight:normal;"><span>-<span style="font-family:'Times New Roman';font-style:normal;font-variant:normal;font-weight:normal;font-size:7pt;line-height:normal;">         </span></span></span></strong><!--[endif]--><strong><span style="font-weight:normal;">New consumers are migratory, socially connected and willing to share their voice and opinion with the public</span></strong></p>
<p class="MsoNormal" style="margin-left:0.5in;text-indent:-0.25in;"><!--[if !supportLists]--><strong><span style="font-weight:normal;"><span>-<span style="font-family:'Times New Roman';font-style:normal;font-variant:normal;font-weight:normal;font-size:7pt;line-height:normal;">         </span></span></span></strong><!--[endif]--><strong><span style="font-weight:normal;">Intellectual property and the expansion of copyright regimes…Who owns this?!</span></strong></p>
<p class="MsoNormal"><span> </span></p>
<p class="MsoNormal"><strong><em>Questions &amp; Comments</em></strong><span></span></p>
<p class="MsoNormal"><span> </span></p>
<p class="MsoNormal" style="margin-left:0.5in;text-indent:-0.25in;"><!--[if !supportLists]--><span><span>-<span style="font-family:'Times New Roman';font-style:normal;font-variant:normal;font-weight:normal;font-size:7pt;line-height:normal;">         </span></span></span><!--[endif]--><span>It appears to be that with new media technologies just a click away it could be possible to create a sense of fandom around critical issues of importance in today’s society rather than brands…maybe then more people would vote for the presidency than for American idol…</span></p>
<p class="MsoNormal" style="margin-left:0.5in;text-indent:-0.25in;"><!--[if !supportLists]--><span><span>-<span style="font-family:'Times New Roman';font-style:normal;font-variant:normal;font-weight:normal;font-size:7pt;line-height:normal;">         </span></span></span><!--[endif]--><span>But, I’m still not sure how I feel about collective intelligence.<span>  </span>Is it a double edged sword?<span>  </span>At the rate that new media technologies are being developed the possibilities seem endless.<span>  </span>Ideally the concept of a grassroots movement by way of these technologies and collective intelligence sounds very promising, but I still worry that the opposite side, those big scary media conglomerates, will they, could they abuse all the power at their fingertips (much like they’re doing now, i.e. Clear Channel, CBS, NBC, etc.) or will the people claim the virtual world as their domain and take control. I say lets beet them to the punch and start the revolution (both technologically and socially, in person and on the web)!!!</span></p>
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		<title>Literacy, Modes, and Media</title>
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		<pubDate>Sat, 10 Nov 2007 02:33:11 +0000</pubDate>
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		<description><![CDATA[Kress Multiliteracies: Literacy learning and the design of social futures Outline -         various modes of communication becoming more prominent and dominant in areas of public communication -         Visual, music, the body in motionà music now no longer seen as a form of communication but as a means of expression, the same has happened to visual [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=valerievega.wordpress.com&amp;blog=2029148&amp;post=6&amp;subd=valerievega&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p class="MsoNormal"><strong><span style="font-size:14pt;">Kress</span></strong></p>
<p class="MsoNormal"><strong>Multiliteracies: Literacy learning and the design of social futures</strong></p>
<p class="MsoNormal"><strong><em>Outline</em></strong><strong><span style="font-weight:normal;"></span></strong></p>
<p class="MsoNormal" style="margin-left:0.5in;text-indent:-0.25in;"><!--[if !supportLists]--><strong><span style="font-weight:normal;"><span>-<span style="font-family:'Times New Roman';font-style:normal;font-variant:normal;font-weight:normal;font-size:7pt;line-height:normal;">         </span></span></span></strong><!--[endif]--><strong><span style="font-weight:normal;">various modes of communication becoming more prominent and dominant in areas of public communication</span></strong></p>
<p class="MsoNormal" style="margin-left:0.5in;text-indent:-0.25in;"><!--[if !supportLists]--><strong><span style="font-weight:normal;"><span>-<span style="font-family:'Times New Roman';font-style:normal;font-variant:normal;font-weight:normal;font-size:7pt;line-height:normal;">         </span></span></span></strong><!--[endif]--><strong><span style="font-weight:normal;">Visual, music, the body in motion</span></strong><strong><span style="font-family:Wingdings;font-weight:normal;"><span>à</span></span></strong><strong><span style="font-weight:normal;"> music now no longer seen as a form of communication but as a means of expression, the same has happened to visual mode and others.<span>  </span>As a result the two modes of the visual and music have been placed outside a general theory of communication, to leave them untheorised,</span></strong><strong><span style="font-family:Wingdings;font-weight:normal;"><span>à</span></span></strong><strong><span style="font-weight:normal;"> they have been taken out of school curricula, except as specialist activities(183)</span></strong></p>
<p class="MsoNormal" style="margin-left:0.5in;text-indent:-0.25in;"><!--[if !supportLists]--><strong><span style="font-weight:normal;"><span>-<span style="font-family:'Times New Roman';font-style:normal;font-variant:normal;font-weight:normal;font-size:7pt;line-height:normal;">         </span></span></span></strong><!--[endif]--><strong><span style="font-weight:normal;">The “west” in now ill-equipped in the new landscape of communication, generally, institutionally, and non-institutionally</span></strong></p>
<p class="MsoNormal" style="margin-left:0.5in;text-indent:-0.25in;"><!--[if !supportLists]--><strong><span style="font-weight:normal;"><span>-<span style="font-family:'Times New Roman';font-style:normal;font-variant:normal;font-weight:normal;font-size:7pt;line-height:normal;">         </span></span></span></strong><!--[endif]--><strong><span style="font-weight:normal;">We have no means of representing whole areas of our sensory lives by either talking or writing</span></strong></p>
<p class="MsoNormal" style="margin-left:0.5in;text-indent:-0.25in;"><!--[if !supportLists]--><strong><span style="font-weight:normal;"><span>-<span style="font-family:'Times New Roman';font-style:normal;font-variant:normal;font-weight:normal;font-size:7pt;line-height:normal;">         </span></span></span></strong><!--[endif]--><strong><span style="font-weight:normal;">Rethinking language as a multi modal phenomenon</span></strong></p>
<p class="MsoNormal" style="margin-left:0.5in;text-indent:-0.25in;"><!--[if !supportLists]--><strong><span style="font-weight:normal;"><span>-<span style="font-family:'Times New Roman';font-style:normal;font-variant:normal;font-weight:normal;font-size:7pt;line-height:normal;">         </span></span></span></strong><!--[endif]--><strong><span style="font-weight:normal;">The stuff a culture uses as a means for expression of meaning</span></strong></p>
<p class="MsoNormal" style="margin-left:1in;text-indent:-0.25in;"><!--[if !supportLists]--><strong><span style="font-family:'Courier New';font-weight:normal;"><span>o<span style="font-family:'Times New Roman';font-style:normal;font-variant:normal;font-weight:normal;font-size:7pt;line-height:normal;">       </span></span></span></strong><!--[endif]--><strong><span style="font-weight:normal;">Physical stuff: variation of sound, marks on a surface, touch, sight</span></strong></p>
<p class="MsoNormal" style="margin-left:0.5in;text-indent:-0.25in;"><!--[if !supportLists]--><strong><span style="font-weight:normal;"><span>-<span style="font-family:'Times New Roman';font-style:normal;font-variant:normal;font-weight:normal;font-size:7pt;line-height:normal;">         </span></span></span></strong><!--[endif]--><strong><span style="font-weight:normal;">mode = the full semiotically articulated means of respresentation and communication</span></strong></p>
<p class="MsoNormal" style="margin-left:0.5in;text-indent:-0.25in;"><!--[if !supportLists]--><strong><span style="font-weight:normal;"><span>-<span style="font-family:'Times New Roman';font-style:normal;font-variant:normal;font-weight:normal;font-size:7pt;line-height:normal;">         </span></span></span></strong><!--[endif]--><strong><span style="font-weight:normal;">“Language in the spoken mode is a multimodal system; it uses the whole plethora of devices available to speech- pace, pitch-variation, rhythmic variations, tone of voice…uses the potentials of temporal, sequential ordering available to this time based mode rather than the initial spatially displayed mode of writing”(186)</span></strong></p>
<p class="MsoNormal" style="margin-left:0.5in;text-indent:-0.25in;"><!--[if !supportLists]--><strong><span style="font-weight:normal;"><span>-<span style="font-family:'Times New Roman';font-style:normal;font-variant:normal;font-weight:normal;font-size:7pt;line-height:normal;">         </span></span></span></strong><!--[endif]--><strong><span style="font-weight:normal;">If mode affects what can be said and how, media affects who can be and is addressed and how</span></strong></p>
<p class="MsoNormal" style="margin-left:0.5in;text-indent:-0.25in;"><!--[if !supportLists]--><strong><span style="font-weight:normal;"><span>-<span style="font-family:'Times New Roman';font-style:normal;font-variant:normal;font-weight:normal;font-size:7pt;line-height:normal;">         </span></span></span></strong><!--[endif]--><strong><span style="font-weight:normal;">Assuming that we as biological and physiological beings are not all equally disposed to the forms most developed and valued by our cultures, some members of one culture will be less well served than others.</span></strong></p>
<p class="MsoNormal" style="margin-left:0.5in;text-indent:-0.25in;"><!--[if !supportLists]--><strong><span style="font-weight:normal;"><span>-<span style="font-family:'Times New Roman';font-style:normal;font-variant:normal;font-weight:normal;font-size:7pt;line-height:normal;">         </span></span></span></strong><!--[endif]--><strong><span style="font-weight:normal;">The power of an object without language</span></strong></p>
<p class="MsoNormal" style="margin-left:0.5in;text-indent:-0.25in;"><!--[if !supportLists]--><strong><span style="font-weight:normal;"><span>-<span style="font-family:'Times New Roman';font-style:normal;font-variant:normal;font-weight:normal;font-size:7pt;line-height:normal;">         </span></span></span></strong><!--[endif]--><strong><span style="font-weight:normal;">Of all the semiotic systems, nothing rivals language in its effability…it is also the case that the visual mode has not been developed into as highly articulated a state as spoken or written language</span></strong></p>
<p class="MsoNormal" style="margin-left:0.5in;text-indent:-0.25in;"><!--[if !supportLists]--><strong><span style="font-weight:normal;"><span>-<span style="font-family:'Times New Roman';font-style:normal;font-variant:normal;font-weight:normal;font-size:7pt;line-height:normal;">         </span></span></span></strong><!--[endif]--><strong><span style="font-weight:normal;">Textual objects – spoken, signed, written, drawn – always occur in a multiplicity of modes</span></strong></p>
<p class="MsoNormal"><strong><em>Questions &amp; Comments</em></strong><strong><span style="font-weight:normal;"></span></strong></p>
<p class="MsoNormal" style="margin-left:0.5in;text-indent:-0.25in;"><!--[if !supportLists]--><strong><span style="font-weight:normal;"><span>-<span style="font-family:'Times New Roman';font-style:normal;font-variant:normal;font-weight:normal;font-size:7pt;line-height:normal;">         </span></span></span></strong><!--[endif]--><strong><span style="font-weight:normal;">Why is “fine art” separated form other forms of visual expression??<span>  </span>Has it been placed on the “western” pedestal of “high art”?<span>  </span>I think so…</span></strong></p>
<p class="MsoNormal" style="margin-left:0.5in;text-indent:-0.25in;"><!--[if !supportLists]--><strong><span style="font-weight:normal;"><span>-<span style="font-family:'Times New Roman';font-style:normal;font-variant:normal;font-weight:normal;font-size:7pt;line-height:normal;">         </span></span></span></strong><!--[endif]--><strong><span style="font-weight:normal;">I would argue that because music is now seen as expression rather than a means of communication, music labels and artist are no longer as concerned with what is actually being communicated to the public through the visual and written text of someone like 50 cent; and use the “well I’m just expressing aspects of my reality” as an excuse or way of justifying the negative, false, and stereotypical images being put into the public communication sphere. </span></strong></p>
<p class="MsoNormal" style="margin-left:0.5in;text-indent:-0.25in;"><!--[if !supportLists]--><strong><span style="font-weight:normal;"><span>-<span style="font-family:'Times New Roman';font-style:normal;font-variant:normal;font-weight:normal;font-size:7pt;line-height:normal;">         </span></span></span></strong><!--[endif]--><strong><span style="font-weight:normal;">Why have three critical forms of communication been taken out of school curricula, especially if they are such inherit part of our culture?<span>  </span>I believe that if we had the opportunity to express ourselves through such texts and modes, especially in such a diverse environment as school, perhaps we could better understand each other in terms of our differences and similarities specifically in dealing with issues of race and ethnicity.<span>  </span>It is also very interesting to note that at one point in our nations’ history, mainly during the 60s and 70s, the government was providing schools and artists with grants and other forms of funding to produce all forms of art, in many instances for the purpose of community building.<span>  </span>And over the course of the last twenty plus years, the government, schools, and communities have lost most if not all funding to the point were music and the arts are the first things to go in our public school systems.<span>  </span>Could the current state of perpetual apathy in the USA, specifically by members of my generation, be as a result of this lack/gap of communication? <span> </span></span></strong></p>
<p class="MsoNormal" style="margin-left:0.25in;"><strong><span style="font-weight:normal;"> </span></strong></p>
<p class="MsoNormal"><strong><span style="font-size:14pt;">Sin</span></strong><strong><span style="font-size:14pt;"> City</span></strong><strong><span style="font-size:14pt;"></span></strong></p>
<p class="MsoNormal"><strong>Frank Miller</strong></p>
<p class="MsoNormal"><strong></strong></p>
<p class="MsoNormal"><strong>- </strong><strong><span style="font-weight:normal;">Out of all the comics that have been made into a film, <em>Sin City</em> is by far the most unique in terms of its cinematography.<span>  </span>Beginning with the opening credits, I truly felt as if I was watching a film that had been made into a comic book, not the other way around.<span>  </span>The careful and strategic use of color throughout the film is also key in sending very clear messages to the viewer.<span>  </span>The very dramatic all black and white scenery with very intense contrast is set off even more by hints of red like Goldies’ red lips, red satin sheets, and red tight dress, evoking feelings of passion, excitement and in some scenes death.<span>  </span>The whole film is very sexual, very violent, very dramatic and very successful in its manipulation of various modes that appeals to all our senses even our sense of smell through the description and visual of the hideous yellow monster.<span>   </span></span></strong></p>
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		<title>Reading/Writing the World/Word</title>
		<link>http://valerievega.wordpress.com/2007/11/09/readingwriting-the-worldword/</link>
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		<pubDate>Fri, 09 Nov 2007 20:34:02 +0000</pubDate>
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		<description><![CDATA[Freire&#38;Macedo Literacy: Reading the Word and the World Outline - “Language and reality are dynamically interconnected. The understanding attained by critical reading of a text implies perceiving the relationship between text and context”(29). - The world that one feels and experiences vs. the word that is read in various forms of text -“reading a text [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=valerievega.wordpress.com&amp;blog=2029148&amp;post=5&amp;subd=valerievega&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p class="MsoNormal"><strong><span style="font-size:14pt;">Freire&amp;Macedo</span></strong></p>
<p class="MsoNormal"><strong>Literacy: Reading the Word and the World</strong></p>
<p class="MsoNormal"><strong><em>Outline</em></strong></p>
<p class="MsoNormal" style="margin-left:0.5in;"><strong>- “</strong><strong><span style="font-weight:normal;">Language and reality are dynamically interconnected. The understanding attained by critical reading of a text implies perceiving the relationship between text and context”(29).</span></strong></p>
<p class="MsoNormal" style="margin-left:0.5in;"><strong>- </strong><strong><span style="font-weight:normal;">The world that one feels and experiences vs. the word that is read in various forms of text</span></strong></p>
<p class="MsoNormal" style="margin-left:0.5in;"><strong><span style="font-weight:normal;">-“reading a text as pure description of an object (like a syntactical rule), and undertaken to memorize the description, is neither real reading nor does it result in knowledge of the object to which the text refers. (33)</span></strong></p>
<p class="MsoNormal" style="margin-left:0.5in;"><strong><span style="font-weight:normal;">- “Insistence on a quantity of reading without internalization of texts proposed for understanding rather than mechanical memorization reveals the magical view of the word” (34)</span></strong></p>
<p class="MsoNormal" style="text-indent:0.5in;"><strong>-<span>  </span></strong><strong><span style="font-weight:normal;">teaching to read and write as a political act, an act of                 knowledge, a creative act</span></strong></p>
<p class="MsoNormal" style="margin-left:0.5in;"><strong>- </strong><strong><span style="font-weight:normal;">“learning to read and write means creating and assembling a written expression for what can be said orally” (35)</span></strong></p>
<p class="MsoNormal" style="margin-left:0.5in;"><strong>- “</strong><strong><span style="font-weight:normal;">reading the word is not preceded merely by reading the world, but by a certain form of writing it or rewriting it, that is of transforming it by means of conscious, practical work”(35)</span></strong></p>
<p class="MsoNormal" style="text-indent:0.5in;"><strong>- </strong><strong><span style="font-weight:normal;">Codifications: pictures representing real situations</span></strong></p>
<p class="MsoNormal" style="margin-left:0.5in;"><strong>- “</strong><strong><span style="font-weight:normal;">reading always involves critical perception, interpretation, and rewriting of what is read” (36)</span></strong></p>
<p class="MsoNormal"><strong><span style="font-weight:normal;"> </span></strong></p>
<p class="MsoNormal"><strong><em>Comments &amp; Questions</em></strong></p>
<p class="MsoNormal"><strong>- </strong><strong><span style="font-weight:normal;">I actually found this article to be very enjoyable, insightful, and sympathetic to the extremely stressful experiences encountered on a day to day basis by students in the USA, and I am sure all over the world.<span>  </span>Now, it might just be that I am a slow reader, but on many occasions, in a wide variety of classes here at Stanford, I have experienced an overwhelming sense of frustration because no matter how hard I tried to keep up with all the readings in all of my classes, there would always be an article that I did not get a chance to read, a chapter or two I had to skip in a novel, or I would skim through a piece of literature so fast in an attempt to make sure that I covered all the material that I wouldn’t really have the opportunity to truly understand and develop my thoughts on the text.<span>  </span>In many cases the professors already assume and know prior to even giving us our reading lists that we simply will not be physically capable of doing it all.<span>  </span>So, why place the importance on quantity instead of making sure that we have adequate time and a less stressful environment that would be more conductive to critical analysis and deeper understanding of text than the current conditions?<span>  </span><span> </span><span> </span><span> </span></span></strong></p>
<p class="MsoNormal"><strong><span style="font-weight:normal;">- If reading and writing are constructed through the process of “translating”/ “decoding” visual language and experiences into written form, what exactly (if anything) gets lost in the translation</span>? </strong><strong><span style="font-size:14pt;"><br />
</span></strong></p>
<p class="MsoNormal"><strong><span style="font-size:14pt;">Luke &amp; Freebody</span></strong></p>
<p class="MsoNormal"><strong>Shaping the Social Practices of Reading &#8211; Reading and Colonization</strong></p>
<p class="MsoNormal"><strong><em>Outline</em></strong><strong><span style="font-weight:normal;"></span></strong></p>
<p class="MsoNormal" style="margin-left:0.5in;text-indent:-0.25in;"><!--[if !supportLists]--><strong><span style="font-weight:normal;"><span>-<span style="font-family:'Times New Roman';font-style:normal;font-variant:normal;font-weight:normal;font-size:7pt;line-height:normal;">         </span></span></span></strong><!--[endif]--><strong><span style="font-weight:normal;">“reading is a social practice using written text as a means for the construction and reconstruction of statements, messages, and meanings”(185)</span></strong></p>
<p class="MsoNormal" style="margin-left:0.5in;text-indent:-0.25in;"><!--[if !supportLists]--><strong><span style="font-weight:normal;"><span>-<span style="font-family:'Times New Roman';font-style:normal;font-variant:normal;font-weight:normal;font-size:7pt;line-height:normal;">         </span></span></span></strong><!--[endif]--><strong><span style="font-weight:normal;">“reading is tied up in the politics of everyday life in literature cultures”(185)</span></strong></p>
<p class="MsoNormal" style="margin-left:0.5in;text-indent:-0.25in;"><!--[if !supportLists]--><strong><span style="font-weight:normal;"><span>-<span style="font-family:'Times New Roman';font-style:normal;font-variant:normal;font-weight:normal;font-size:7pt;line-height:normal;">         </span></span></span></strong><!--[endif]--><strong><span style="font-weight:normal;">Colonial education: the literacy goal was to introduce a student into a canon of classical English literature (very few middle/affluent people even had access to an education), women had even fewer opportunities</span></strong></p>
<p class="MsoNormal" style="margin-left:0.5in;text-indent:-0.25in;"><!--[if !supportLists]--><span><span>-<span style="font-family:'Times New Roman';font-style:normal;font-variant:normal;font-weight:normal;font-size:7pt;line-height:normal;">         </span></span></span><!--[endif]--><span>19<sup>th</sup>-20<sup>th</sup> cent: two stage model- “the basics” </span><span style="font-family:Wingdings;"><span>à</span></span><span> “the classics”</span></p>
<p class="MsoNormal" style="margin-left:0.5in;text-indent:-0.25in;"><!--[if !supportLists]--><span><span>-<span style="font-family:'Times New Roman';font-style:normal;font-variant:normal;font-weight:normal;font-size:7pt;line-height:normal;">         </span></span></span><!--[endif]--><span>“in an era of post-colonialism and global capitalism, marginalized, minority, and indigenous communities have an urgent stake in the nature and efficacy of literacy education efforts, and, importantly, in the dominant theories and methodologies used to legitimate those efforts”(192)</span></p>
<p class="MsoNormal" style="margin-left:0.5in;text-indent:-0.25in;"><!--[if !supportLists]--><span><span>-<span style="font-family:'Times New Roman';font-style:normal;font-variant:normal;font-weight:normal;font-size:7pt;line-height:normal;">         </span></span></span><!--[endif]--><span>Reading</span><span> and Social Epistemologies</span></p>
<p class="MsoNormal" style="margin-left:1in;text-indent:-0.25in;"><!--[if !supportLists]--><span style="font-family:'Courier New';"><span>o<span style="font-family:'Times New Roman';font-style:normal;font-variant:normal;font-weight:normal;font-size:7pt;line-height:normal;">       </span></span></span><!--[endif]--><span>Reading</span><span> and writing are social activities</span></p>
<p class="MsoNormal" style="margin-left:1in;text-indent:-0.25in;"><!--[if !supportLists]--><span style="font-family:'Courier New';"><span>o<span style="font-family:'Times New Roman';font-style:normal;font-variant:normal;font-weight:normal;font-size:7pt;line-height:normal;">       </span></span></span><!--[endif]--><span>All text are motivated- there is no neutral position from which a text can be read or written&#8230;refracting the world</span></p>
<p class="MsoNormal" style="margin-left:1in;text-indent:-0.25in;"><!--[if !supportLists]--><span style="font-family:'Courier New';"><span>o<span style="font-family:'Times New Roman';font-style:normal;font-variant:normal;font-weight:normal;font-size:7pt;line-height:normal;">       </span></span></span><!--[endif]--><span>Different cultures and communities prescribe and direct who can read, what texts people can read, how reading should occur, where, etc…cultural constraints and how they are tied to larger political imperatives</span></p>
<p class="MsoNormal" style="margin-left:0.5in;text-indent:-0.25in;"><!--[if !supportLists]--><span><span>-<span style="font-family:'Times New Roman';font-style:normal;font-variant:normal;font-weight:normal;font-size:7pt;line-height:normal;">         </span></span></span><!--[endif]--><span>From Psychological to Sociological Models</span></p>
<p class="MsoNormal" style="margin-left:1in;text-indent:-0.25in;"><!--[if !supportLists]--><span style="font-family:'Courier New';"><span>o<span style="font-family:'Times New Roman';font-style:normal;font-variant:normal;font-weight:normal;font-size:7pt;line-height:normal;">       </span></span></span><!--[endif]--><span>“the shift here is from viewing that which students bring to schools and classrooms in terms of individual differences, knowledge’s, skills, and backgrounds- to a view that students bring to classrooms available cultural, community and social resources, texts, and discourses”(204)</span></p>
<p class="MsoNormal" style="margin-left:1in;text-indent:-0.25in;"><!--[if !supportLists]--><span style="font-family:'Courier New';"><span>o<span style="font-family:'Times New Roman';font-style:normal;font-variant:normal;font-weight:normal;font-size:7pt;line-height:normal;">       </span></span></span><!--[endif]--><span>Different purposes and goals of reading education: teaching and learning standpoints, cultural expectations, norms of social actions and consequences</span></p>
<p class="MsoNormal" style="margin-left:0.5in;text-indent:-0.25in;"><!--[if !supportLists]--><span><span>-<span style="font-family:'Times New Roman';font-style:normal;font-variant:normal;font-weight:normal;font-size:7pt;line-height:normal;">         </span></span></span><!--[endif]--><span>Elements of Reading as a Social Practice</span></p>
<p class="MsoNormal" style="margin-left:1in;text-indent:-0.25in;"><!--[if !supportLists]--><span style="font-family:'Courier New';"><span>o<span style="font-family:'Times New Roman';font-style:normal;font-variant:normal;font-weight:normal;font-size:7pt;line-height:normal;">       </span></span></span><!--[endif]--><span>What kind of reading practices and positions should schools value, encourage and propagate?</span></p>
<p class="MsoNormal" style="margin-left:1in;text-indent:-0.25in;"><!--[if !supportLists]--><span style="font-family:'Courier New';"><span>o<span style="font-family:'Times New Roman';font-style:normal;font-variant:normal;font-weight:normal;font-size:7pt;line-height:normal;">       </span></span></span><!--[endif]--><span>Heteroglossic democracy</span></p>
<p class="MsoNormal" style="margin-left:1in;text-indent:-0.25in;"><!--[if !supportLists]--><span style="font-family:'Courier New';"><span>o<span style="font-family:'Times New Roman';font-style:normal;font-variant:normal;font-weight:normal;font-size:7pt;line-height:normal;">       </span></span></span><!--[endif]--><span>All texts represent cultural positions, ideologies, and discourses</span></p>
<p class="MsoNormal" style="margin-left:0.5in;text-indent:-0.25in;"><!--[if !supportLists]--><span><span>-<span style="font-family:'Times New Roman';font-style:normal;font-variant:normal;font-weight:normal;font-size:7pt;line-height:normal;">         </span></span></span><!--[endif]--><span>“Given cultural resources, institutional access, and support, entire populations can learn to read.<span>  </span>To reshape that selective tradition there are several imperatives:”(221)</span></p>
<p class="MsoNormal" style="margin-left:1in;text-indent:-0.25in;"><!--[if !supportLists]--><span style="font-family:'Courier New';"><span>o<span style="font-family:'Times New Roman';font-style:normal;font-variant:normal;font-weight:normal;font-size:7pt;line-height:normal;">       </span></span></span><!--[endif]--><span>Attend to critical pragmatic, text-meaning, and coding elements of reading at all stages and levels</span></p>
<p class="MsoNormal" style="margin-left:1in;text-indent:-0.25in;"><!--[if !supportLists]--><span style="font-family:'Courier New';"><span>o<span style="font-family:'Times New Roman';font-style:normal;font-variant:normal;font-weight:normal;font-size:7pt;line-height:normal;">       </span></span></span><!--[endif]--><span>Move away from psychological skills models, and toward sociological models that recognize and capitalize on the varied and hybrid cultural and discourse resources students bring to classrooms</span></p>
<p class="MsoNormal" style="margin-left:1in;text-indent:-0.25in;"><!--[if !supportLists]--><span style="font-family:'Courier New';"><span>o<span style="font-family:'Times New Roman';font-style:normal;font-variant:normal;font-weight:normal;font-size:7pt;line-height:normal;">       </span></span></span><!--[endif]--><span>Integrate the analysis and study of new text forms</span></p>
<p class="MsoNormal" style="margin-left:1in;text-indent:-0.25in;"><!--[if !supportLists]--><span style="font-family:'Courier New';"><span>o<span style="font-family:'Times New Roman';font-style:normal;font-variant:normal;font-weight:normal;font-size:7pt;line-height:normal;">       </span></span></span><!--[endif]--><span>Focus instruction on how community, workplace, and everyday cultural texts and discourses work, linguistically and politically </span></p>
<p class="MsoNormal"><strong><em> </em></strong></p>
<p class="MsoNormal"><strong><em>Questions &amp;Comments</em></strong></p>
<p class="MsoNormal"><span>-Because of my experience as an immigrant and someone who is bilingual I have been witness to the current failing literacy practices in the public school system specifically here in California. <span> </span>Prior to reading Luke and Freebody’s article I had come to the conclusion that there clearly had to be huge shifts from the “western”, very linear Eurocentric methods of education and literacy at the foundation/base level.<span>  </span>I had never thought of it in terms of the current psychological model vs. a new sociological model, which is very insightful and now that I think about it quite obvious.<span>  </span>But it appears that the politics of this nation would rather keep the current interlocking systems of oppression in place, and keep “minorities” and other marginalized communities oppressed by not introducing new methodologies into the education system. <span> </span><span> </span>Issues of culture, equal access, and support for students must be made key factors in the education system.<span>  </span>The most recent changes&amp; modifications to the education system and literacy, such as the No Child Left Behind initiative has only managed to function as a band aide on the gaping wound of poor quality education in the USA.<span>  </span>This wound without a doubt will continue to bleed and widen as the drop-out rates of Latino and black youth continues to grow on a daily basis.<span>  </span>The shift that Luke and Freebody purpose is a great starting point, but what will it actually take to change an education system that has not been drastically modified since the days of slavery and colonization?</span></p>
<p class="MsoNormal"><span> </span></p>
<p class="MsoNormal"><strong><span style="font-size:14pt;">Princess Mononoke</span></strong></p>
<p class="MsoNormal"><span>Hayao Miyazaki’s</span></p>
<p class="MsoNormal"><span>I did not really have any clear expectations when I sat down to watch <em>Princess Mononoke</em> because the only exposure I have ever had to any kind of Japanese animation has been anime through Pokemon, thanks to my younger sister.<span>  </span>But to my surprise this manga inspired film proved to be very adult in its themes, a completely different experience from Pokemon, thank God.<span>  </span>But what struck me the most about the film was its’ very in your face racialization of particular characters.<span>  </span>As in many American films the main female protagonist was a tall, thin, white, blonde hyper-sexualized “beauty”, while the villains were dark skinned, loud, and extremely aggressive, almost beast like.<span>  </span>The pairing of Jada Pinkett-Smith’s voice with her particular character was also a very interesting experience. There I was looking at a short, big breasted Japanese woman running around in a robe with a very loud, bold, in your face attitude.<span>  </span>I felt so confused as a result of my previous media literacy experience.<span>  </span>The miss match of a “black” voice with an “Asian” visual was very uncomfortable to me especially because I could not find a logical reason for the pairing outside of the fact that using Jada Pinkett-Smith was a marketing ploy. <span> </span><span>  </span><span> </span><span> </span><span> </span></span></p>
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		<title>New Media in Everyday Life</title>
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		<pubDate>Wed, 07 Nov 2007 20:47:09 +0000</pubDate>
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		<description><![CDATA[New Media in Everyday Life -Lister  Cyberspace in everyday life: the material and the virtual -         cyberspace : the space behind the monitor, the network, “disembodied and exhilarating &#8211; promising the new, new worlds, new frontiers, new identities”, but cannot be a placeless place -         virtual reality: “a new world in direct opposition to the [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=valerievega.wordpress.com&amp;blog=2029148&amp;post=4&amp;subd=valerievega&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p><font size="3"><font face="Times New Roman"><em>New Media in Everyday Life</em> -<em>Lister</em></font></font><em><font size="3" face="Times New Roman"> </font></em></p>
<p style="margin:0;" class="MsoNormal"><font size="3" face="Times New Roman">Cyberspace in everyday life: the material and the virtual</font></p>
<p style="text-indent:-0.25in;margin:0 0 0 0.5in;" class="MsoNormal"><font face="Times New Roman"><span><font size="3">-</font><span style="font:7pt 'Times New Roman';">         </span></span><font size="3">cyberspace : the space behind the monitor, the network, “disembodied and exhilarating &#8211; promising the new, new worlds, new frontiers, new identities”, but cannot be a placeless place</font></font></p>
<p style="text-indent:-0.25in;margin:0 0 0 0.5in;" class="MsoNormal"><font face="Times New Roman"><span><font size="3">-</font><span style="font:7pt 'Times New Roman';">         </span></span><font size="3">virtual reality: “a new world in direct opposition to the old world of everyday life…we can find a new kind of life and society online, a democratic public sphere unencumbered by the stultifying routines and alienating hierarchies of the real world”</font></font></p>
<p style="text-indent:-0.25in;margin:0 0 0 0.5in;" class="MsoNormal"><font face="Times New Roman"><span><font size="3">-</font><span style="font:7pt 'Times New Roman';">         </span></span><font size="3">everyday environment inseparable from and coextensive with digital technology…breathe in technology with the air</font></font></p>
<p style="text-indent:-0.25in;margin:0 0 0 0.5in;" class="MsoNormal"><font face="Times New Roman"><span><font size="3">-</font><span style="font:7pt 'Times New Roman';">         </span></span><font size="3">Media technologies are the products of already existing social and economic structures and forces</font></font><font size="3"><span style="font-family:Wingdings;"><span>à</span></span><font face="Times New Roman"> reinforcing and extending social constraints and power relationships<span>  </span></font></font></p>
<p style="text-indent:-0.25in;margin:0 0 0 0.5in;" class="MsoNormal"><font face="Times New Roman"><span><font size="3">-</font><span style="font:7pt 'Times New Roman';">         </span></span><font size="3">Practices of consumption are integral to the commercial success of new media, and how they are used</font></font></p>
<p style="text-indent:-0.25in;margin:0 0 0 0.5in;" class="MsoNormal"><font face="Times New Roman"><span><font size="3">-</font><span style="font:7pt 'Times New Roman';">         </span></span><font size="3"><strong>Faith</strong> that in cyberspace the contradictions and iniquities of the modern world are being overcome through the virtual alliance of free market economics and digital technology.</font></font></p>
<p style="text-indent:-0.25in;margin:0 0 0 0.5in;" class="MsoNormal"><font face="Times New Roman"><span><font size="3">-</font><span style="font:7pt 'Times New Roman';">         </span></span><font size="3">A consumer economy, marketing strategy, Ex: the black box- technical features as well as the device’s symbolic status is critical to its commercial success.</font></font></p>
<p style="text-indent:-0.25in;margin:0 0 0 0.5in;" class="MsoNormal"><font face="Times New Roman"><span><font size="3">-</font><span style="font:7pt 'Times New Roman';">         </span></span><font size="3">Cyberculture – “a space in which social divisions based on bodily and material attributes and positions can be transcended”</font></font></p>
<p style="text-indent:-0.25in;margin:0 0 0 0.5in;" class="MsoNormal"><font face="Times New Roman"><span><font size="3">-</font><span style="font:7pt 'Times New Roman';">         </span></span><font size="3">Video/Computer games: Stallabrass- a capitalist, conservative form of culture, consumption of empty images and narratives, addictive immersion, new forms of political and commercial surveillance and domination of time and space in everyday life, computers also enter into the development of personality, identity, and sexuality, ‘bricolage’ self expression on a web page &amp; in the bedroom</font></font></p>
<p style="text-indent:-0.25in;margin:0 0 0 0.5in;" class="MsoNormal"><font face="Times New Roman"><span><font size="3">-</font><span style="font:7pt 'Times New Roman';">         </span></span><font size="3">The meaning and uses of popular new media are not fixed, encoding and decoding a text </font></font><font size="3"><span style="font-family:Wingdings;"><span>à</span></span><font face="Times New Roman"> computer- toy or tool?</font></font></p>
<p style="text-indent:-0.25in;margin:0 0 0 0.5in;" class="MsoNormal"><font face="Times New Roman"><span><font size="3">-</font><span style="font:7pt 'Times New Roman';">         </span></span><font size="3">The consumption of media technologies is both shaped by and shapes existing family dynamics, <span> </span>anxieties about the relationships between everyday space and time</font></font></p>
<p style="text-indent:-0.25in;margin:0 0 0 0.5in;" class="MsoNormal"><font face="Times New Roman"><span><font size="3">-</font><span style="font:7pt 'Times New Roman';">         </span></span><font size="3">‘Edutainment’- education as a commodity</font></font><font size="3"><span style="font-family:Wingdings;"><span>à</span></span><font face="Times New Roman"><span>  </span>education and the information age will support and reinforce each other </font></font></p>
<p style="text-indent:-0.25in;margin:0 0 0 0.5in;" class="MsoNormal"><font face="Times New Roman"><span><font size="3">-</font><span style="font:7pt 'Times New Roman';">         </span></span><font size="3">postmodernist theories- cyborg…a contemporary monster to be celebrated, Plant- machines not only appear to take on the characteristics of biological systems, including the human brain, but no meaningful distinction between the natural and the machine can now be made.</font></font></p>
<p><font size="3" face="Times New Roman"> </font></p>
<p style="margin:0;" class="MsoNormal"><em><font size="3" face="Times New Roman">Opinion</font></em></p>
<p style="text-indent:-0.25in;margin:0 0 0 0.5in;" class="MsoNormal"><font face="Times New Roman"><span><font size="3">-</font><span style="font:7pt 'Times New Roman';">         </span></span><font size="3">Will the same interlocking systems of oppression that function in the real world today (i.e. the judicial/legal system, the education system, etc.) eventually extend into the virtual world?<span>  </span>How will the legal system change to address crimes committed in the virtual world? </font></font></p>
<p style="text-indent:-0.25in;margin:0 0 0 0.5in;" class="MsoNormal"><font face="Times New Roman"><span><font size="3">-</font><span style="font:7pt 'Times New Roman';">         </span></span><font size="3">Ahhhh!!! Big Brother!!!</font></font></p>
<p style="text-indent:-0.25in;margin:0 0 0 0.5in;" class="MsoNormal"><font face="Times New Roman"><span><font size="3">-</font><span style="font:7pt 'Times New Roman';">         </span></span><font size="3">What kind of implications does a socio-economic hierarchal structure in cyberspace have? “Consumer goods and mass media serve to sustain and reproduce the existing economic and social order.” Who is really taking part in the new free market and who is not? </font></font></p>
<p style="text-indent:-0.25in;margin:0 0 0 0.5in;" class="MsoNormal"><font face="Times New Roman"><span><font size="3">-</font><span style="font:7pt 'Times New Roman';">         </span></span><font size="3">Only a minority of the population has access to this new media.<span>  </span>The majority is not taking part in the consumption of education, information, and play on the net or the creation of peoples own websites.<span>  </span>How will that be reflected/affected in future forms of new media? Gentrification of cyberspace? </font></font></p>
<p><span style="font-family:'Courier New';"><span><font size="3">o</font><span style="font:7pt 'Times New Roman';">       </span></span></span><strong><font size="3"><font face="Times New Roman">“Information technology for Robins and Webster is neither progressive nor neutral. Far from being open to appropriation by ordinary people these technologies are shaped by the corporate and bureaucratic systems that develop them, and in turn, through their dissemination they colonize everyday life.”(225)</font></font></strong></p>
<p style="text-indent:-0.25in;margin:0 0 0 0.5in;" class="MsoNormal"><font face="Times New Roman"><span><font size="3">-</font><span style="font:7pt 'Times New Roman';">         </span></span><font size="3">Constantly having to tell my little sister “get off the computer!!!, what are you even doing on there?!”</font></font></p>
<p><font size="3" face="Times New Roman"> </font></p>
<p style="margin:0;" class="MsoNormal"><em><font size="3" face="Times New Roman">Theory wars and cultural studies – Kellner</font></em></p>
<p><em><font size="3" face="Times New Roman"> </font></em></p>
<p style="text-indent:-0.25in;margin:0 0 0 0.5in;" class="MsoNormal"><font face="Times New Roman"><span><font size="3">-</font><span style="font:7pt 'Times New Roman';">         </span></span><font size="3">Historical context: 1960s-present <span> </span>culture wars, “dramatic change and upheaval”, capitalist world + conservative governments = expanding military sector, increasing federal deficits, massive debts, covert and overt wars, constant fear (aka: “terrorism”) </font></font><font size="3"><span style="font-family:Wingdings;"><span>à</span></span><font face="Times New Roman"> policies that mainly benefit the greedy and powerful, while postponing much need social reform and creation of a more just and equitable social order (15)</font></font></p>
<p><font face="Times New Roman"><span><font size="3">-</font><span style="font:7pt 'Times New Roman';">         </span></span><strong><font size="3">New media technologies and computer technologies are ambiguous and can have contradictory effects… they provide powerful forms of social control through more efficient, subtly concealed techniques of indoctrination and manipulation. </font></strong></font></p>
<p style="text-indent:-0.25in;margin:0 0 0 0.5in;" class="MsoNormal"><font face="Times New Roman"><span><font size="3">-</font><span style="font:7pt 'Times New Roman';">         </span></span><font size="3">New computer technologies = new forms of surveillance and control. Ahhhhhh!!! Big Brother… Again!!!</font></font></p>
<p style="text-indent:-0.25in;margin:0 0 0 0.5in;" class="MsoNormal"><font face="Times New Roman"><span><font size="3">-</font><span style="font:7pt 'Times New Roman';">         </span></span><font size="3">Media culture has become a dominant force in socialization…media images and celebrities have replaced families, schools, and churches as arbiters of taste, value, and thought</font></font><font size="3"><span style="font-family:Wingdings;"><span>à</span></span><font face="Times New Roman"> producing new modes of experience and subjectivity</font></font></p>
<p style="text-indent:-0.25in;margin:0 0 0 0.5in;" class="MsoNormal"><font face="Times New Roman"><span><font size="3">-</font><span style="font:7pt 'Times New Roman';">         </span></span><font size="3">Media junkies and technofeaks: hunters and gatherers of information and entertainment</font></font></p>
<p style="text-indent:-0.25in;margin:0 0 0 0.5in;" class="MsoNormal"><font face="Times New Roman"><span><font size="3">-</font><span style="font:7pt 'Times New Roman';">         </span></span><font size="3">(pop)Culture which is largely informed by the media is playing a huge role in every realm of contemporary society</font></font><font size="3"><span style="font-family:Wingdings;"><span>à</span></span><font face="Times New Roman"> economics, politics, social, self</font></font></p>
<p style="text-indent:-0.25in;margin:0 0 0 0.5in;" class="MsoNormal"><font face="Times New Roman"><span><font size="3">-</font><span style="font:7pt 'Times New Roman';">         </span></span><font size="3">TV in the USA continues to be dominated by conservative voices, the same old right-wing think tank, Ex: Rush Limbaugh</font></font></p>
<p style="text-indent:-0.25in;margin:0 0 0 0.5in;" class="MsoNormal"><font face="Times New Roman"><span><font size="3">-</font><span style="font:7pt 'Times New Roman';">         </span></span><font size="3">Culture wars around the world: misery and oppression continue to grow in the more underdeveloped regions of the world and the wretched of the earth appear more wretched than ever.</font></font></p>
<p style="text-indent:-0.25in;margin:0 0 0 0.5in;" class="MsoNormal"><font face="Times New Roman"><span><font size="3">-</font><span style="font:7pt 'Times New Roman';">         </span></span><font size="3">Theory Wars, helping people make sense of the world &#8211; feminism, the postmodern , multiculturalism vs. monoculturalism, each new theory was the “solution”</font></font></p>
<p style="margin:0 0 0 1in;" class="MsoNormal"><font size="3" face="Times New Roman">- Weapons of critique and instruments of practice, as well as cognitive maps</font></p>
<p style="text-indent:-0.25in;margin:0 0 0 0.5in;" class="MsoNormal"><font face="Times New Roman"><span><font size="3">-</font><span style="font:7pt 'Times New Roman';">         </span></span><font size="3">Frankfurt School developed model of culture industry from the 1930s-1950s, differentiates between high culture and low culture?!! …very problematic…</font></font></p>
<p style="text-indent:-0.25in;margin:0 0 0 0.5in;" class="MsoNormal"><font face="Times New Roman"><span><font size="3">-</font><span style="font:7pt 'Times New Roman';">         </span></span><font size="3">Culture is constantly being produced and reproduced</font></font></p>
<p style="text-indent:-0.25in;margin:0 0 0 0.5in;" class="MsoNormal"><font face="Times New Roman"><span><font size="3">-</font><span style="font:7pt 'Times New Roman';">         </span></span><font size="3">Popular culture = top down culture, what is the popular? Does the term need to be re-appropriated</font></font></p>
<p style="text-indent:-0.25in;margin:0 0 0 0.5in;" class="MsoNormal"><font face="Times New Roman"><span><font size="3">-</font><span style="font:7pt 'Times New Roman';">         </span></span><font size="3">“There is no communication without culture and no culture without communication…our culture is a media culture”</font></font></p>
<p style="text-indent:-0.25in;margin:0 0 0 0.5in;" class="MsoNormal"><font face="Times New Roman"><span><font size="3">-</font><span style="font:7pt 'Times New Roman';">         </span></span><font size="3">text, context, audience, and reception must all be taken into account when looking at media cultures</font></font></p>
<p style="text-indent:-0.25in;margin:0 0 0 0.5in;" class="MsoNormal"><font face="Times New Roman"><span><font size="3">-</font><span style="font:7pt 'Times New Roman';">         </span></span><font size="3">fetishism of resistance and struggle</font></font></p>
<p style="text-indent:-0.25in;margin:0 0 0 0.5in;" class="MsoNormal"><font face="Times New Roman"><span><font size="3">-</font><span style="font:7pt 'Times New Roman';">         </span></span><font size="3">Manipulation theory vs. populist resistance theory</font></font><font size="3"><span style="font-family:Wingdings;"><span>à</span></span><font face="Times New Roman"> what kinds of culture do each result in?</font></font></p>
<p style="text-indent:-0.25in;margin:0 0 0 0.5in;" class="MsoNormal"><font face="Times New Roman"><span><font size="3">-</font><span style="font:7pt 'Times New Roman';">         </span></span><font size="3">cultural studies cannot lose the critical and political edge</font></font></p>
<p style="text-indent:-0.25in;margin:0 0 0 0.5in;" class="MsoNormal"><font face="Times New Roman"><span><font size="3">-</font><span style="font:7pt 'Times New Roman';">         </span></span><font size="3">we are living in a borderland of tension between the old and the new</font></font></p>
<p><font size="3" face="Times New Roman"> </font><em><font size="3"><font face="Times New Roman">Opinion</font></font></em><em><font size="3" face="Times New Roman"> </font></em></p>
<p style="margin:0 0 0 0.25in;" class="MsoNormal"><font size="3" face="Times New Roman">It would appear that the Dark Side of the media and new technologies has taken over.</font></p>
<p style="text-indent:-0.25in;margin:0 0 0 0.5in;" class="MsoNormal"><font face="Times New Roman"><span><font size="3">-</font><span style="font:7pt 'Times New Roman';">         </span></span><font size="3">The balance must be maintained, the use of new media technologies cannot be taken to extremes by either side, (i.e. the forces looking to control the culture and population or those looking to liberate and educate). But how can this be possible if new media technologies are the products of already existing social and economic structures which reinforce and extend social constraints and power relationships. And if only a very small minority of the worlds’ population actually has regular access to new media technologies, and even a smaller minority of that population are in the position to make powerful decisions within these structures. I am once again forced to ask the question Who is creating the new media technologies and Who is using/consuming? Are we repeating the same mistakes of our ancestors<span>  </span>in extremely limiting the voices and perspectives that can be found and created in the virtual realm? </font></font></p>
<p style="text-indent:-0.25in;margin:0 0 0 0.5in;" class="MsoNormal"><font face="Times New Roman"><span><font size="3">-</font><span style="font:7pt 'Times New Roman';">         </span></span><font size="3">Postmodern…just another buzzword?<span>  </span>Kellner distinguishes between modern and postmodern, two different time periods, styles and theories rejecting features of classical modernism</font></font><font size="3"><span style="font-family:Wingdings;"><span>à</span></span><font face="Times New Roman"> it is a construct not a thing or state of affairs</font></font></p>
<p><font size="3" face="Times New Roman"> </font></p>
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		<title>Hello world!</title>
		<link>http://valerievega.wordpress.com/2007/10/31/hello-world/</link>
		<comments>http://valerievega.wordpress.com/2007/10/31/hello-world/#comments</comments>
		<pubDate>Wed, 31 Oct 2007 18:11:32 +0000</pubDate>
		<dc:creator>valerievega</dc:creator>
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		<description><![CDATA[Welcome to WordPress.com. This is your first post. Edit or delete it and start blogging!<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=valerievega.wordpress.com&amp;blog=2029148&amp;post=1&amp;subd=valerievega&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>Welcome to <a href="http://wordpress.com/">WordPress.com</a>. This is your first post. Edit or delete it and start blogging!</p>
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